Every good performance deserves an encore, right? I was really pleased to be asked to paint this commission in the same style as my Blood Angels diorama (right down to the base).
There were plenty of opportunities for freehand with the parts that were chosen. I took inspiration for the loin cloth from the art on the cover of an old blood angels codex. It’s difficult to make out on the pictures but there is texturing on both this and the banner. The design on the right shoulder pad was adapted from space hulk.
I filled the indented crosses on the knees since neither I or the client were particularly keen on them, and it provided the opportunity to get a squad marking on the left knee.
Full non metallic metal was requested for this one, and I’m quite pleased with the result I achieved on the gold trim. I also experimented with a slightly different approach on the power sword, but the position of the power node thing is further down the blade than I’d like, which I found a little restrictive in terms of the effects I could employ.
My next painting project will be another commission – a dark elder archon this time. In the background I’m continuing to work on my sculpting too, focussing on 30 mm scale miniatures at the moment.
I painted Arwen over the course of a week as a fairly last minute third entry for Golden Demon 2017. I couldn’t go without trying to defend my LotR/Hobbit title from last year!
I had wanted to paint Thranduil, King of Mirkwood but sadly received a poor copy (curse you, finecast!) so had to pull Arwen (in metal) off the subs bench.
Not much to say about this one really. I do enjoy the simplicity of the Lord of the Rings miniatures and they always present a challenge due to their diminutive stature.
I’m quite happy with the freehands that I pulled off in a very small space. I’ve added a bit of texturing to the purple robe and the ochre streamer things. I wanted to try and capture the lustrous quality that Arwen has in the movies, so I elected to go with a very pale base coat for the face (almost white) and then added shading and colour gradually. I’m reasonably happy with the end result but it’s not an approach I’d normally use!
Arwen comes in a dual pack, so I will have to paint the mounted version at some point!
Up until a couple of weeks ago I wasn’t sure if I’d attend Warhammer Fest. Although I always enjoy chatting to my fellow painters and the studio guys that I know, I find I no longer have the hunger that I used to for winning painting awards. After factoring in the cost of attending, I was leaning towards not going.
It has now transpired that I have another good reason for going (which I won’t go into here), so last week I bought my ticket. And of course if I am going then I may as well enter golden demon! Happily I still had my recent Blood Angels librarian and High Elf sea lord sitting around, so I already had one more entry than I managed to take last year (when I was only able to get Legolas painted in time).
Since these pieces now needed to be competition standard, I spent some more time working on the base for the sea lord. Online reaction to this piece has generally been very good, but I got some great feedback from a handful of my facebook friends regarding the poor standard of modelling on the rocks.
I will freely admit that I’ve never particularly enjoyed basing. I really appreciate the amazing work that so many people in the community put out in this area, but I’ve never felt that this is where my talents lie. I love super clean, precise painting and this doesn’t really sit well with the approaches needed to create believable looking scenes. But I wanted to make the piece as good as it could be, so I took the feedback on board and had a go at improving the cliff face with the aid of some milliput and reference pictures on google. I’m sure it’s still not great, but I hope it’s better than it was.
I was happy with the librarian as is, so my thoughts turned to whether or not I could get a third entry done in time. It seemed only right that I should attempt to defend my title as Lord of the Rings/Hobbit champion from last year, so I needed to get my hands on a simple miniature that I could paint fairly quickly. After perusing the GW website for a while I settled on Thranduil, King of Mirkwood.
Now at this point, particularly observant readers may be thinking that the purple robed lady in the first picture is a funny looking Thranduil. And yes, I have to report that unfortunately my plan to paint this lovely looking miniature was undone by the abomination that is finecast. It has been a good long while since I bought any resin from GW and having heard reports that it has improved recently I foolishly thought I’d give it another go. Sadly I received the all too familiar mix of bubbles, warped parts and chunks of resin obscuring details.
Happily I had hedged against this possibility and also ordered Arwen in good old solid dependable metal, so she will be my final entry. More pictures of Arwen coming soon!
So there we have it – three entries ready for golden demon next Sunday. I honestly have no idea how I’ll get on in the competition. The standard seems to be driven ever higher each year and I’ve already seen pictures of jaw dropping work from the likes of David Soper and Michal Pisarski that make me think I’m in for a serious schooling! But regardless, I’m sure I’ll have a great time meeting up with everyone. Looking forward to it!
In the depths of winter, when a chill wind howls and the world has turned to white, any adventurers foolhardy enough to have strayed from the warmth of hearth and home may catch glimpse of the mysterious Frost Queen. Some say that she was once a fair maiden, but following a great tragedy she grew increasingly emotionless and aloof. Ultimately her heart turned to ice and she is now an adversary to be feared: cold, ruthless, and utterly sadistic, her touch is death to those that stray too close.
I’ve designed and painted lots of ships and 15 mm miniatures over the last year and consequently I’ve been neglecting 30 mm a bit. But I’ve been keen to keep progressing in this area too, and I wanted to take some of the lessons I learned making the Dragon Maiden and maybe try to do something a little bit more original.
I can’t actually remember what prompted me to go with this idea – I probably just thought that a winter themed mini would be fun to do! I did a bit of googling and sketched some concepts and this is what I ended up with. I think I was partly inspired by some of the old Lord of the Rings miniatures and I wanted a simple mini, without any weapons or overtures of war.
As ever, being far too tight to shell out for pro software like Zbrush, I sculpted the Frost Queen in Blender. My main challenges here were to do a better job on the face and get a bit more practice with cloth. I think I did do some things better than the Dragon Maiden, but as soon as I got the print in hand I could see things I wanted to improve! I won’t go on about all the faults here, but suffice it to say that I see many…
I didn’t do anything special when it came to painting. It was a bit of a no brainer to stick to cold colours, and the long flowing robes are obvious candidates for a bit of colour transition. I avoided any temptation for freehand and texturing in order to keep it quick, since I have other projects waiting. I think I turned this around in about 15 hours, which is pretty fast for me! The snow on the base is Valhallan Blizzard from Citadel. First time I’ve tried it but it seems pretty good to me. 🙂
I’ve entered the Frost Queen into Shapeways’ heroes and villains sculpting contest. No idea how I’ll get on with that, but fingers crossed! If you want a Frost Queen of your own then you can buy one here.
Ahoy, me hearties! The Kingdoms of Men and High Elf fleets have continued to expand, and I now have 3 classes of vessel designed, printed and painted for each navy. I’ve settled on 1:900 scale for this project, as it’s a good trade-off between getting some great details and keeping the cost down.
I designed the ships in Blender and had them printed at Shapeways in the high definition plastic that continues to impress me. It’s possible to make out the individual bolts on the elven weapons and I’ve even been able to add little wheels on to the gun carriages on the human vessels.
Considering these miniatures are printed on a high end Envisiontec DLP machine, the cost is very reasonable. It’s still more expensive than I’d like though, so I’ve taken steps to minimise this as much as possible: hollowing out the undersides of the hulls, connecting multiple ships together so they get charged as a single part, and substituting the sea bases for a less expensive FDM material.
The ships are now up for sale in my Shapeways shop. There is even a nifty tool that lets you look at the models in 3D. The next step is to add some flyers! I’m thinking a griffon for the humans and a phoenix for the elves.
I’m looking forward to playing some more Galleys and Galleons with these now!
This was a fun little project that I painted as a gift for a friend.
Sculpted by Darren Latham for the Burning of Prospero box, Geigor Fell-Hand is my first ever Space Wolf (only taken me 24 years to get round to it!). Loads of cool details on this: wolf pelts, armour trim, plenty of weapons, gems… I particularly enjoyed painting the face for some reason – I don’t recall ever painting a mini with sculpted eyebrows before, but it was great!
I aimed for a fairly ‘Eavy Metal style with true metallics and lots of edge highlighting. I believe that technically heresy era Space Wolves are supposed to have a neutral grey armour but I wanted to paint it closer to the 40k scheme, so I ended up with a kind of halfway house with a bluish grey. I took inspiration from an old ‘Eavy Metal masterclass by Neil Green and went with red hair and yellow trim rather than the blond and red from the box art.
I added some damage to armour in the places where it was most likely to occur: more on the front than the back and plenty around the lightning claw and the bottom of the boots. Not many opportunities for freehand on this mini, but I was at least able to paint his name onto the claw!
This post has been updated with new pictures 24/05/17 after I made alterations to the base.
At long last I have completed the base for my high elf sea lord! I’m very pleased to have this project finished.
This miniature dates from the dark age of GW communication 😉 but I’m reliably informed that the sculpt is by Martin Footit. Admittedly I am biased but this is a great mini. Just the right amount of details while leaving some opportunities for free hand. I imagine that he is shouting because he has just spotted some dark elf raiders off the coast of Ulthuan.
I went with non metallic metal on this mini, mostly because I thought it would be more fun than true metallic on the helmet and the trident blade. I kept the colour scheme quite simple with only minor alterations to the ‘Eavy Metal version. I’ve painted some texture on the inside of his cape and picked out some individual hair strands and threads on the end of his sash.
I usually favour quite a minimalist base but I really wanted to have this guy overlooking the sea, so I had a go at modelling it. Overall I think I did ok, but I’m sure it’s not the finest example of this kind of scene.
I sculpted the waves with green stuff and then applied layers of water effect after painting it (Vallejo still water). After many experiments I found that a very small amount of white paint added to Vallejo transparent water gel made a fairly convincing foam, so I carefully applied that mix on the wave crest and around the rocks. The seagull is actually included on the skycutter sprue, which is a really nice touch so I had to use that too! Unfortunately it has made the piece horrendously fragile…
I’m still looking forward to seeing what GW do with the high elves in Age of Sigmar. Elves of all flavours have been conspicuously absent so far (apart from a couple of shady characters in the silver tower), but the game is nearly two years old now. Surely it can’t be too much longer?! C’mon guys, don’t make me sculpt my own again!
The librarian is now finished! Since the last update I painted the axe, went back and touched up the armour (particularly some of the transitions on the red shoulder pads that I wasn’t happy with), painted the gems and spent a little more time working on his face. Oh, and the base. 😉
For the force axe I base coated with black and then applied area highlights in two stages using a mix of turquoise and white (about 1:1 and then with more white added). I then painted on the lightning using a brush with a good point and applied some glazes here and there until it looked right. Unusually for me I didn’t use the maximum colour saturation (unmixed turquoise) at any point. The miniature is already pretty colourful and I didn’t want to overdo it.
I’ve glazed some more purple and blue tones into the shadows on the face, as I wanted to convey that this guy isn’t super healthy and the psychic ability is taking a toll on him. I’ve painted some veins around the temples to emphasise this too. For some reason I’ve struggled to get the mouth looking right on this miniature – in the end this was the best I could do!
I thought long and hard about adding some damage to the armour. Having spent the time getting to a point of shiny perfection I find it very difficult to then do something that will detract from this, and I’ve bottled out of doing it in the past. On this occasion I came to the conclusion that damaged armour would suit the somewhat stressed-looking face better than a factory fresh suit, so I took a deep breath and plunged in! Here’s a picture of how he looked before:
I’m happy with my decision and it was good to push myself out of my comfort zone. That’s two new things on this piece, since I had never attempted textured freehand before either. 🙂
I built the base out of ureol modelling board, plasticard and a couple of brass etch pieces from forgeworld. It’s quite simple, but that is very much my style – I’m still having headaches over the high elf sea base at the moment too, and I couldn’t handle having two difficult basing projects on my plate!
Overall I very much enjoyed this project. It’s a great sculpt by Ed Cottrell for the best space marines chapter 😉 and hopefully I’ve done it justice!
Another week goes by and some more progress on the librarian.
I’ve finished up the glazing on the blue armour and moved on to the red. I used the citadel reds here – it brought back happy memories of the hundreds of hours I spent on my blood angels diorama a couple of years ago! The base coat is mephiston red, then I highlighted with a mix of evil sunz scarlet and white, then again with more white. To shade I just added abaddon black to mephiston red. Then lots of glazes with mephiston and evil sunz.
I plan to go back to tidy up the armour a little more towards the end of the process and apply some final spot highlights. I think the lighting/camera has done something funny to the red armour in these quick pictures too – the transition between red and shade is definitely more gradual in reality than it appears here! Gah.
I’ve elected to go with true metallics on this piece rather than non metallic metal. I think it’s fair to say that the combination of this kind of shiny armour and true metallics is a bit of a marmite style. Personally I like this approach as the shinyness gives the miniature some extra impact in the hand but I have to admit that it doesn’t photograph as well as non metallic would.
For the gold I’ve used retributor armour, with a mix of dark flesh and black in the recesses, then highlighted with liberator gold and mithril silver. The steel is vallejo gun metal, shaded with black and highlighted with stormhost silver and mithril silver. Both metals get final spot highlights with vallejo metallic medium.
Plenty of parchment on this guy. After all, he’s a librarian so it makes perfect sense that he’d strap parts of his library to himself before heading into battle. 😉 For this I base coated with creamy ivory (reaper) over an initial layer of creamy ivory and khemri brown to help with coverage. Then I shaded with rhinox hide and a little black before highlighting with some white added to the ivory. After I painted on the text squiggles (a mix of rhinox and black) I used a wash of gryphonne sepia to yellow it up and increase the difference in colour with the robe a bit more.
Not too much more to do now, although I’m sure the final stages will take twice as long as I expect as usual! I should be able to get onto the axe this week. 🙂
After the very early WIP here, I’ve made a decent amount of progress with the blood angels librarian this week.
As you can see, he’s now fully assembled. I reduced the shadows under the cheek bones a bit before gluing the chest piece in, as I felt I’d gone a bit too far with those.
I have to say that I’m finding this miniature a joy to paint. The sculpt is by Ed Cottrell and it’s a lovely open stance with some fantastic details. I’ve made some minor modifications by removing the sculpted on detail from the loin cloth and cleaning up a couple of areas on the legs where the limitations of injection moulding had required some filled in detail.
At the moment I’m working on the armour. So far I’ve base coated using kantor blue through my airbrush (I like to use the airbrush for base coating as it saves a little time). Then I built up the highlights using 1:1 enchanted blue (old citadel) and ghost white (reaper), then with more ghost white added following the technique described here. I shaded with abaddon black.
On the lower half of the miniature I’ve been applying glazes of enchanted blue and kantor blue, but I haven’t started this above the waist yet, so you can see the difference this makes. Still some way to go before the armour is done. I’m thinking I’ll add a little bit of battle damage too…
For the loincloth I wanted to experiment with combining some texturing with freehand as it’s not something I’ve done before.
I base coated with a mix of deck tan (vallejo) and rakarth flesh (citadel). Then I shaded quite roughly with 1:1 rakarth and cloudy grey (reaper), then 1:1 rakarth and abaddon black. The next step was to paint the freehand design, for which I used mephiston red (citadel). I then went over the whole loincloth using a brush with a very good point and just building up lots of dots using my previous mixes and going up to pure white dots on the creases. For the red areas I added black for the shade and the highlight dots were a mix of evil sunz scarlet (citadel), bestigor flesh (citadel) and deck tan. Looking at the pictures I may push the shading a little further, but I’m fairly happy with how this experiment has turned out.