The very first miniature that I made for Games Workshop as a trainee has now been released, so I can finally talk about it!
Xandria Azurebolt (as someone in publications has elected to name her) is the exclusive knight incantor model that comes with issue 5 of the Mortal Realms magazine for Age of Sigmar.
I’d been at GW for less than a month when I was given the brief to make this miniature. After becoming familiar with the team and the software, all the trainee miniature designers are given 3 or 4 training projects. These projects are not in the release schedule so you’re not under time pressure and although you’re told that it would be nice if you produced something that could be released, it’s not expected at this stage.
This then was my first training project in the summer of 2018. To be honest I’ve never been massively excited by Stormcast Eternals but I was given a really cool mock up that Steve Party had made and let loose to try and turn it into a product. The main areas of design work were the stave and the head. I remember going through quite a few iterations of the face until I got something I was reasonably satisfied with.
I was sitting at the desk next to the mighty Darren Latham when I worked on this, and he gave me a lot of help figuring out the engineering side, which was much appreciated. I think it’s fair to say that anything good about the final miniature is down to Steve and Daz, and anything not so good is down to yours truly! But I was pleased when the design managers told me that it would be getting produced.
I decided to paint this in non metallic metal, which was a decision I soon came to regret, because as usual it took me far longer than I wanted it to! I don’t think the finish is as good as it could be in a few places but I didn’t think it was worth investing any more time to try and make it better. There are far more interesting miniatures that I’d like to paint!
There is a full step by step painting guide for these miniatureshere.
I haven’t got much history with Sisters of Battle, since their second edition codex was released just after I’d drifted away from the hobby, and by the time I came back they had been unsupported for so long that they weren’t really relevant. For that reason I wasn’t particularly interested when the news broke that they were to be re imagined in plastic. But it just goes to show that you should never be closed minded, because now the Adeptus Sororitas are here and I absolutely love them!
These miniatures are from the multi part battle sisters kit that Joe Tomaszewski designed (with I would imagine significant input from project lead Martin Footit and design manager Ben Jefferson). Joe has outdone himself with this kit – it’s simply fantastic! So many options, fantastic poses, beautifully rendered cloth… the list goes on and on.
The only slight negative for me about the sisters is that the 6 official orders don’t have the widest range of colour schemes – it’s very much variations on white, red and black. So I decided to invent my own order and be totally revolutionary by throwing purple into the mix.
I’ve gone for a fairly standard ‘Eavy Metal style of painting on these because I didn’t want to spend forever on them, and I’m happy with the result considering the time spent. On the superior I tried out a different skin tone to my usual recipes, which I think turned out ok, and of course I couldn’t resist a bit of non metallic metal on the sword blade.
Of course, now I’m being severely tempted by the Triumph of Saint Catherine (which should probably be referred to as the Triumph of Mr Footit). I don’t think I can commit the time it deserves to it though – maybe in the next lifetime!
When I left Games Workshop I was surprised and overwhelmed by the generosity of Gaku Matsubayashi, who gave me a copy of Jes Goodwin’s Eldar sketchbook as a leaving gift. Of course, I had to do something to try and repay such generosity, so I painted the Howling Banshee Exarch as a gift for Gaku (he sculpted the excellent plastic banshees kit).
I wanted to try a different colour scheme, and settled on the classic combination of magenta/purple and teal, despite some misgivings about it being a bit too Slaaneshy. I decided to retain the pale armour, but moved away from the bone into warm grey (I used pallid wych flesh shaded with skavenblight dinge). I didn’t want to make this look super reflective and shiny (I imagined more of a plastic, super advanced lightweight material), so I just shaded towards the recesses and in one or two other areas to add some visual interest, and edge highlighted with white.
I decided to try something different to the classic Eldar crystalline sword, so I used more of a conventional non metallic metal approach, but introduced more teal towards the body of the miniature to try and guide the eye inwards. The small details are painted with true metallic paints, which I always find add an extra level of contrast when viewing the miniature in the hand (but unfortunately doesn’t translate so well to photos).
I don’t want to criticise the ‘Eavy Metal team, who I think do wonderful work (to tight deadlines). But I do think that they sometimes have a tendency to go too far with the shading on female faces, with the result that to me they often look quite masculine. I’ve gone for a more subtle approach here, which is much more to my taste. Fortunately Gaku has sculpted some lovely big, well defined eyes so I was able to paint the irises without too much difficulty!
I also painted one of the optional exarch helmets to see how it would look, but in the end preferred the unhelmeted version, so that was the one I glued in place before giving the miniature to Gaku.
On my first day in the Games Workshop miniatures design studio I was thrilled to be shown to my desk alongside the mighty Darren Latham. Once I’d recovered sufficiently from this excitement I was delighted to find that he was in the process of sculpting a new version of Drazhar (with plenty of input from the legendary Jes Goodwin of course).
Long time readers of my blog may remember that I tried my hand at sculpting my own version of Drazhar before I joined GW, based on some codex artwork. Although I was quite pleased with it at the time, looking back on this piece now it’s quite obvious that I got the proportions wrong, among various other deficiencies. So I was really pleased to get my hands on the fantastic new version. It’s a lovely kit, goes together really nicely, and can be almost fully assembled before painting (I think I painted the head separately).
I wanted to revisit the green armour I used previously, so I went with a similar colour scheme to my previous version. For the armour I used incubi darkness, kabalite green and sybarite green, mixing white into the final highlights and shading the deepest recesses with a mix of naggaroth night and black. Rather than using gold I went with silver non metallic metal, and the spot colour was moot green.
I’m afraid there won’t be a painting tutorial for this miniature as I didn’t take many photos during the painting process but I’m pleased to say that my Etsy shop is now open again and there will be some new guides coming soon!
Just a quick update to demonstrate that this blog hasn’t totally died and to share pictures of Sister Amalia Novena, the vanguard of the new range of Sisters of Battle that are coming soon.
One of the perks of working in the studio is that I was fortunate enough to get my hands on a copy directly from the man that sculpted her (the legendary Darren Latham) several months before she hit the shelves. The miniature is based on Karl Kopinski’s iconic artwork, and I think it’s safe to say that Daz did an excellent job of translating the artwork to miniature.
Painting-wise I really wasn’t pushing myself here – I just wanted a nice relaxing project that I could paint without it taking very long. I decided to call my version Alexis before I knew what the official name was going to be, so that’s the reason for that being painted on the bolter! Anyway, I don’t feel I fully did the miniature justice but happily I do have another copy that I’d like to paint in a different colour scheme at some point in the future.
Update: There’s now a full painting guide for this miniature available here.
Due to my own idiocy I didn’t think I would be able to attend Warhammer Fest until a few weeks before it took place. Consequently I hadn’t given much thought to an entry, but when I realised that I had got my dates wrong it was clear that I needed to get my skates on and finish the space marine I was painting!
Although on the face of it this is yet another boring shiny space marine, I did try out a new effect by adding the small purple reflections to the armour. I’d decided to paint the plasma pistol glow in colours I remember from when I worked with real plasma in a previous life, so the idea behind the reflections was that there would be other plasma weaponry being discharged in the area. This allowed me to get a little more purple into the piece.
The captain was designed by the legend that is Darren Latham, and as with all of his kits the attention to detail and the way it goes together is exquisite. It’s a great miniature for practicing freehand with the cape and all those little shields! My purity seal text can be a bit hit or miss but I was fairly pleased with the result this time. And in another of my trademarks I added some subtle texture to the inside of the cape.
As a staff member I was restricted to entering the Open competition at Golden Demon. I was delighted to get the gold, but at the same time I did feel a bit disappointed in myself for what I think has ended up as quite an unimaginative entry! I really want to push myself out of my comfort zone for next year so I need to get thinking!
A full painting tutorial for this miniature is available here.
The plastic Autarch has been around for several years now and although I’ve always thought it was fantastic I’ve somehow never got round to painting it! I decided to put that right and paint up a version in Alaitoc colours, using the box art from the old finecast version as inspiration.
I chose to paint this miniature in more of an ‘Eavy Metal style than I often do, by which I mean edge highlighting and recess shading rather than trying to apply large area highlights. Working in the studio and seeing the amazing work that the team do first hand almost certainly influenced this choice!
Since I’m not currently able to produce full tutorials I’ve been doing my best to share step by step images and recipes on instagram, so follow me there if that’s something that would interest you! (My handle is nicholas.gareth)
It has been nearly six months since I last updated the blog, so it’s definitely overdue! A few people have contacted me to ask whether I’m still in the land of the living and I’m happy to say that I definitely am! I started a new job as a trainee Citadel Miniatures designer in July, and the subsequent upheaval left me with greatly reduced time for painting. But I’m happy to finally have a new project to show off: Inquisitor Eisenhorn!
The miniature was a gift from Maxime Corbeil, who is the very talented gentleman that sculpted Eisenhorn (and also a fantastic painter in his own right). I love the Eavy Metal version of this miniature painted by Aiden Daly, but I wanted to do something a little different. Fortunately Maxime had the clever suggestion of using the original 54 mm paint job from the Inquisitor game as inspiration (reproduced here without permission).
I made a few tweaks to adapt the colour scheme to the smaller scale, but I’ve tried to stick fairly close to the original and I’m quite pleased with the final result.
Now that things are starting to settle down a bit I’m hoping to get more time for painting, so it shouldn’t be quite so long before the next update!
Unfortunately I can’t produce any more pdf tutorials at the moment, but I am starting to share more step by step stuff on my instagram feed (nicholas,gareth), so feel free to follow me there!
There is a painting guide for this miniature available here.
I painted this miniature as a bit of post golden demon fun. As usual I wanted to try something a little different from the Eavy Metal scheme and went with purple and red as the main colours, with turquoise and ochre accents.
Overall I’m reasonably pleased with how it turned out. I put the most effort into the face and although I got a nice clean finish I probably should have considered how to get a bit more menace into her expression.
Before anyone asks, it’s extremely unlikely I’ll be painting the big Morathi in this lifetime!
A painting guide for this miniature is available here.
I was really pleased to see Forgeworld bringing out the Nazgul miniatures after what seemed like endless dwarf, orc and lake town nonsense from the terrible Hobbit movies! I think that technically the Nazgul are from the Hobbit too but they’re also in the Lord of the Rings so that’s good enough for me!
It was a challenge to try and think of something interesting to do with this miniature since it’s very much just steel with a black cloak! I’ve added some subtle texture to the cloak and tried to make the non metallic metal a little interesting by highlighting it with cold green and including some reflections from a far off fire, which could be the fires of mount doom or just a camp fire made by some foolish hobbits! In reality the highlights are a bit greener than they appear in these pictures, but I really struggled to get an accurate colour balance on this miniature for some reason.
I was surprised to find that the Nazgul have been sculpted by hand, as I thought pretty much everything had been switched over to digital by now. I think CAD would have been a better choice with so much armour on the miniature – some of the surfaces were not as smooth or as precise as I would have liked and did have to spend some time with sandpaper and putty just correcting various areas. I’m pleased to say that the casting was pretty good though! The Nazgul are also larger than I expected – this guy towers over the other Lord of the Rings miniatures that I’ve got lying around. I’m not sure if this was intentional or just a bit of scale creep.
I’ll enter this into golden demon in a couple of weeks but without any great hope of winning anything, as I don’t think it’s the best choice of miniature for a competition piece. Still, after taking gold in this category in 2016 and 2017 I don’t think I can complain too much!