When I left Games Workshop I was surprised and overwhelmed by the generosity of Gaku Matsubayashi, who gave me a copy of Jes Goodwin’s Eldar sketchbook as a leaving gift. Of course, I had to do something to try and repay such generosity, so I painted the Howling Banshee Exarch as a gift for Gaku (he sculpted the excellent plastic banshees kit).
I wanted to try a different colour scheme, and settled on the classic combination of magenta/purple and teal, despite some misgivings about it being a bit too Slaaneshy. I decided to retain the pale armour, but moved away from the bone into warm grey (I used pallid wych flesh shaded with skavenblight dinge). I didn’t want to make this look super reflective and shiny (I imagined more of a plastic, super advanced lightweight material), so I just shaded towards the recesses and in one or two other areas to add some visual interest, and edge highlighted with white.
I decided to try something different to the classic Eldar crystalline sword, so I used more of a conventional non metallic metal approach, but introduced more teal towards the body of the miniature to try and guide the eye inwards. The small details are painted with true metallic paints, which I always find add an extra level of contrast when viewing the miniature in the hand (but unfortunately doesn’t translate so well to photos).
I don’t want to criticise the ‘Eavy Metal team, who I think do wonderful work (to tight deadlines). But I do think that they sometimes have a tendency to go too far with the shading on female faces, with the result that to me they often look quite masculine. I’ve gone for a more subtle approach here, which is much more to my taste. Fortunately Gaku has sculpted some lovely big, well defined eyes so I was able to paint the irises without too much difficulty!
I also painted one of the optional exarch helmets to see how it would look, but in the end preferred the unhelmeted version, so that was the one I glued in place before giving the miniature to Gaku.
A full painting tutorial for this miniature is available here.
The plastic Autarch has been around for several years now and although I’ve always thought it was fantastic I’ve somehow never got round to painting it! I decided to put that right and paint up a version in Alaitoc colours, using the box art from the old finecast version as inspiration.
I chose to paint this miniature in more of an ‘Eavy Metal style than I often do, by which I mean edge highlighting and recess shading rather than trying to apply large area highlights. Working in the studio and seeing the amazing work that the team do first hand almost certainly influenced this choice!
Since I’m not currently able to produce full tutorials I’ve been doing my best to share step by step images and recipes on instagram, so follow me there if that’s something that would interest you! (My handle is nicholas.gareth)
My painting of the Triumvirate of Ynnead continues with Yvraine, the second miniature for which I have produced a full step by step painting guide that you can get here. Faces and texturing were the most requested topics from people that got in touch following the chaplain tutorial so hopefully this will do the job!
This was another of those miniatures that took far longer than I expected, partly because I took the insane decision to stipple the large surface area of the dress! I wanted to come up with a completely different colour scheme to the ‘Eavy Metal version and I’m quite pleased with what I ended up with.
As is often the way with me, the base is probably not up to the standard of the rest of the miniature. I have to admit that I found it difficult to come up with any good ideas, since the dress requires a very large perfectly flat area to sit on. But regardless, I think Yvraine herself has come out quite well.
When I first saw the Triumvirate of Ynnead I knew straight away that I’d end up buying it. I’ve been a big fan of the Eldar since I started in the hobby and I seem to remember that the first White Dwarf I ever owned featured them quite prominently. (Complete with back banners and goblin green bases!) I love what Jes Goodwin and co have done with all three miniatures in the new box – they’re definitely right up my particular aesthetic street!
The ‘Eavy Metal paint job on the Visarch is pretty special (Aidan Daly’s handiwork I believe) and I referred to it often during the painting of this piece, but I wanted to try and put a unique spin on the piece.
I chose to paint the helmet and parts of the armour black to try and make him more menacing, and the fiery sword is intended to be a nod towards the old Avatar of Khaine. There’s absolutely no good reason for this in the 40k background as far as I know, but I just thought it looked cool! Of course, the danger in having such a colourful sword is that it can draw the viewer’s eye too much. I’ve tried to balance this with the eyes and the gems but I’m not sure I’ve been wholly successful.
This was one of those projects that sat in an unfinished state for many months, so it’s good to finally clear it off my desk! I had to park it for a while due to all the commissions I’ve been doing recently and I was struggling with the armour anyway. It turns out that it’s very difficult to make all that embossed detail work with my painting style. It’s a tough miniature to paint anyway – sub assemblies are definitely the order of the day! I’m trying not to think too much about the Yncarne right now…
The Visarch is for sale, so if you’re interested in acquiring him then drop me a line and he could soon be travelling through the webway to you!